While ambient music is often wholly instrumental and can relax or unnerve depending on the artistic aims of the piece, new age is designed very specifically to uplift and center, to calm and relax. Or, as some may jokingly refer to it, "Windham Hill music." While that specific record label was known for oversaturating the market in the '80s and '90s with blissful, almost comically obvious soundtracks to day spas and massage parlors, "new age" music is a very splinter of ambient music. ![]() Bratmobile's Jen Smith talked about wanting to make a "girl riot" in the scene, and the third issue of "Jigsaw" had a subtitle of being "angry grrrl zine." To remove the dismissive way men would refer to "girls" and change the name into more of a furious animal growl, it wasn't long before "riot grrrl" became a descriptor unto itself, defining a movement whose impact is still felt today. Female-fronted acts like Bikini Kill and Bratmobile started picking up steam. Zine culture was heavy at the time, and self-published works like "Interrobang?!", "Chainsaw", and "Jigsaw" found success in covering both punk rock and the dissemination of gender norms. Thus, as the grunge scene began to congeal in the Pacific Northwest, so too did an increasingly feminist movement to get girls behind guitars and in front of the mics. While artists like Lita Ford and Joan Jett found hair-metal success in the late '80s, they were more exceptions than the rule. ![]() In the late '80s and early '90s, rock music - and especially hard rock and punk - was dominated by men.
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